In a merging of music, film, and local work, A Garota Não shows the short film "Quem nesta aldeia morar." The film helps you feel the whole album "Ferry Gold." The band avoids the common way of releasing one song at a time. They wish the album to stay whole.
Singles usually draw the listener to pick a song for the radio. A Garota Não did not choose one track from "Ferry Gold." The band says singles break an album into scattered pieces. They care that the full work stays intact. Listeners can find and keep their own favorite parts, making each song a personal choice.
Not using a single song made radio play hard. DJs could not agree on which song to play. Different stations played different songs. This fact shows the album has many sounds and moods. The band chose a different path with film. They let director Pedro Estêvão Semedo build another visual work. "Quem nesta aldeia morar" grows from the album. The film puts images and music side by side in an artful way.
Many friends joined the creation. Mário Guilherme, João X Silva, Berenice Cruz, Zé Nova, and Ana Barbosa appear in the work. They form a close group like the village in the title. Musicians such as Cátia Mazari, Sérgio Miendes, Diogo Arranja, and João Mota join in, showing how film and music can work as one.
The band made another piece called "O testamento do Tigre." This song was meant to be the twentieth track on "Ferry Gold." After many tries at the usual style, A Garota Não asked Sérgio Miendes, Diogo Arranja, and João Mota to change the song. The song honors the words of Fiama Hasse Pais Brandão. Each musician produced a different tune. Each new version has its own set of images made by different artists. The first version—made with Miendes, Arranja, and A Garota Não, and drawn by Joana Batista—is now on a double vinyl record.
These vinyl records are for sale at Papelaria da Fonte Nova in Setúbal, online at Bandcamp, or by email order, and soon they will be in selected stores.
A Garota Não’s film and work change how we share music. Their art invites listeners to see an album as one full story, with all its parts tied together as one work.
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